The creator and screenwriter of $ NOB, Dalina Buzi, invited this morning to "Vila 24", spoke at length about the series and all the uncertainties that accompanied it from its birth until the first day of broadcasting. Dalina, calls $ NOB as "her biggest challenge" for many reasons.
"The biggest challenge has been this project. I have been a student, in fact I am always a student, but I have been here even more because I had to go from primary school to high school with extraordinary speed. The biggest fear of the one who writes is whether it will relate to the characters, whether anything will be understood.
I have been writing all my life, journalism has helped me a lot, show scripts, television ... And if you have seen it, the series has an extraordinary rhythm and this is the rhythm of someone who has worked in the media and journalism.
"I have always had insecurities, even with a report that I could put on television, I have always been unhappy with things because I wanted to have it all under control, but this time (with $ NOB) it did not happen."
The series, which has started airing on Top Channel since November 7, is a co-production of Buzi with Nilor Film Production, a collaboration which beyond the common passion had "chemistry" until the end.
"With Nilor I had the best partnership I have ever had in my life, in all my experience. I have also collaborated with extraordinary media people like Ardit Gjebrea or Dritan Hoxha of Top Media, but this time the cooperation has been fantastic. "Half of the work was done by Nilor, Redi Treni did an extraordinary job and I did not have to stay in every set because I had faith and we were like twin souls in this project. Fantastic team work."
Asked why she chose to be the focus of this series again, Dalina answered:
$ NOB has always been inside me, but the choice has been, as we say, "forced". We had an outage with Hostel by Anabel. It was abruptly interrupted and we also had 2 episodes to introduce to the sponsors as stipulated in the contract. I thought why not do something with young people, to be in line. We started with a few sketches, small scripts and suddenly it took on other dimensions (God's hand) coming out movie. Plus young people are in fashion. I've seen a lot of movies, series like "Gossip Girl", "Elite", etc., but $ NOB is like nothing.
Për mua ka rëndësi si evolon personazhi. Si i trajtojnë ata ngjarjet që ju ndodhin gjatë jetës. Kështu është edhe jeta. S’është e rëndësishmja ndodhia: vdekja, martesa, ndarja. Për mua ka rëndësi si e zhvillon ti këtë që ndodhi. Çfarë bën ti me këtë, si e trajton. Seriali ka qenë autentik në formën time, si e shoh unë gjënë. Nuk e nisa as për thriller, nuk pashë as filmat e huaj. Personazhet i kanë bërë vetë zgjidhjet e tyre në mënyrën sesi zhvillohen."
E pyetur nëse në jetën e saj ka takuar dikë që ngjan me personazhet e $NOB, skenaristja thotë se "ka shumë gjëra nga vetja ime."
"Do you know what happens in the brain of the writer? You just get from the character, you get different elements. There are a lot of things from myself. I get a lot from my husband, because he knows more the way and I do not. There are some expressions, some dialogues that come from the everyday spirit.If I did not have the luxury of help from mom, mother-in-law, or husband, I would not write.Writing itself wants a kind of financial and financial luxury and you can not write. "You have a business of staying in office and writing in parallel. Everyone has a mission in life."
